A photonic twin of Michelangelo’s David

The mix of these two technologies was critical to achieve the best result; the laser tracker, which is typically used to measure precision aerospace components, is able to give high accuracy across large areas and the structured light scanner is able to achieve even higher resolution when focused on small areas. This instrument was used for the particularly detailed elements of the sculpture such as the face and hands. By combining these technologies, the team was able to achieve the optimum compromise of scale and resolution.

Nevertheless, there were a number of additional challenges to overcome. For example, an 80cm distance was required between the scanner and the statue to achieve optimum detail. This was particularly tricky when trying to capture intricate parts. Additionally, given the height of the David the scanners had to be mounted on a stair and raised, after which the team would analyze the picture to check for resolutions and accuracy, and repeat if necessary.
 
Following David’s appearance at the Expo, the digital twin created by the scanning process will be analyzed to derive additional learnings. The extraordinary detail of the data reveals, for example, the effects of acid rain, dust, and even traces of the different tools used to create it. This information can be used by experts and restorers to preserve the David, and other iconic art pieces, by anticipating and preventing degradation.
 
It’s also recognized that there may be opportunities for future, more accurate scans of the David and other iconic art pieces. This latest project follows a similar one completed by Stanford University in 1999, which took one month and 22 people to achieve a lower resolution scan. As technology advances it’s hoped that an even higher level of detail can be achieved.
 
“Scanning the David presented a number of challenges,” says Cesare Cassani, Automation Technologies & Portable Systems Manager, Hexagon’s Manufacturing Intelligence division. “Not only was the scale enormous, but the time constraints were also tight, and we had to overcome a number of obstacles as we went along. Specific parts such as the inside of the hands, and underneath the bent arm, for example, proved particularly challenging, as well as capturing all the dents and imperfections that the David has incurred over the years.” (Source: Hexagon)